The Truman Show
This was the official site of the 1998 comedy/ drama, The Truman Show.
Content is from the site's archived pages, as well as other sources.
Director: Peter Weir
Studio: Paramount Pictures
Producer(s): Scott Rudin
Screenplay: Andrew M. Niccol
THE TRUMAN SHOW (1998) - Official Movie Trailer
Commentary by Pickleball Philosopher Jon Lyman, San Diego Gazette:
Set in the idyllic Seahaven, a town so perfect it seems almost surreal, the film follows the life of Truman Burbank, who unknowingly lives in the most unconventional of circumstances. Truman's entire existence is meticulously curated for a worldwide audience, all captured by hidden cameras from his birth to his adult life. His friends, family, and even the weather are all manufactured elements of his world, creating a facade of normalcy that's anything but genuine.
"The Truman Show" shines as a thought-provoking commentary on the nature of reality, surveillance, and the human desire for authenticity. Jim Carrey delivers a phenomenal performance, showcasing his remarkable versatility as an actor by seamlessly transitioning from comedy to profound drama. His portrayal of Truman Burbank is both heartwarming and deeply relatable, making us question our own roles in society's constructs.
Now, imagine the town of Seahaven as a carefully constructed pickleball court. Just like Truman navigating his world, pickleball players engage in a subtle dance of strategy and authenticity. The game requires precision, quick thinking, and the ability to adapt to unexpected twists and turns. Much like Truman, pickleball enthusiasts learn to uncover hidden opportunities and embrace the unexpected moments that make the game so engaging.
If you're a fan of both "The Truman Show" and pickleball, here's where practical pickleball gifts come into play. Consider gifting a personalized pickleball paddle with a memorable quote from the film or a custom-designed pickleball-themed t-shirt featuring Truman's iconic moment of breaking free. These gifts not only celebrate your love for the movie but also add a touch of authenticity to your pickleball games.
As we watch Truman's journey to uncover the truth about his existence, we can't help but reflect on our own lives. Are we living authentically, or are we merely playing roles assigned to us by society? The film's exploration of these themes remains as relevant today as it was in 1998, if not more so.
Who is Truman Burbank? He's the twenty-nine-year-old "star" of the fictitious TV program The Truman Show -- or, more specifically, a character played by Jim Carrey in Peter Weir's acclaimed new film, The Truman Show (which opened across the country on June 5). Adopted by the OmniCam Corporation at birth, Truman has spent literally every minute of his life surrounded by hidden TV cameras in the perfectly planned island-community of Seahaven, a "town" built within a huge bio-dome-like soundstage in Southern California. Every person in Truman's life -- from his parents to his best childhood friend to his wife -- is an actor, though Truman doesn't know it. Everything in his world -- from the local media to the company where he works to the very weather itself -- is fake.
Twenty-nine years ago, a baby boy was adopted by the OmniCam Corporation to become the subject of the most popular television show of all time. His name is Truman Burbank.
Truman Burbank has the feeling that he's being watched. He doesn't know how right he is. Every second of every day, from the moment he was born, for the last thirty years, Truman Burbank has been the unwitting star of the longest running, most popular documentary-soap opera in history. The picture-perfect town of Seahaven that he calls home is actually a gigantic soundstage. Truman's friends and family - everyone he meets, in fact - are actors. He lives every moment under the unblinking gaze of thousands of hidden TV cameras.
Welcome to "The Truman Show." The whole world is watching.
Paramount Pictures' "The Truman Show" stars Jim Carrey, Laura Linney, Noah Emmerich, Natascha McElhone, Holland Taylor, Brian Delate and Ed Harris.
The Scott Rudin Production is directed by Peter Weir from an original screenplay by Andrew Niccol. The film is produced by Scott Rudin, Andrew Niccol, Edward S. Feldman and Adam Schroeder. Lynn Pleshette serves as the executive producer. Paramount Pictures is part of the entertainment operations of Viacom Inc.
Truman's unsettling, darkly funny world is a kind of waking nightmare unlike anything ever previously created on film. This perverse mirror of millennium America speaks directly to our innermost fears and frustrations. Truman is not only preyed upon by a network of human and electronic spies, he is literally trapped in his own life, held down and penned in by the surreal existence in which he has been forced to spend every one of his thirty years.
Realizing that he is caught like a butterfly in a jar, Truman determines that his single aim must now be to escape Seahaven no matter what the cost. But he has not yet reckoned with the power of Christof (Ed Harris), who conceived the show and has produced, directed and supervised it throughout its entire run. Nor has he faced up to his greatest fears, which may be even more effective than the God-like Christof in keeping him a prisoner in Seahaven.
Blackly comic, yet exhilarating and ultimately inspiring, Truman's story reflects the hopes and anxieties that grip us all as the century lurches toward its close.
Truman Burbank has the feeling that he's being watched.
He doesn't know how right he is.
Every second of every day, from the moment he was born, for the last thirty years, Truman Burbank has been the unwitting star of the longest running, most popular documentary-soap opera in history. The picture-perfect town of Seahaven that he calls home is actually a gigantic soundstage. Truman's friends and family - everyone he meets, in fact - are actors. He lives every moment under the unblinking gaze of thousands of hidden TV cameras.
Welcome to "The Truman Show." The whole world is watching.
Paramount Pictures' "The Truman Show" stars Jim Carrey, Laura Linney, Noah Emmerich, Natascha McElhone, Holland Taylor, Brian Delate and Ed Harris.
The Scott Rudin Production is directed by Peter Weir from an original screenplay by Andrew Niccol. The film is produced by Scott Rudin, Andrew Niccol, Edward S. Feldman and Adam Schroeder. Lynn Pleshette serves as the executive producer. Paramount Pictures is part of the entertainment operations of Viacom Inc.
Truman's unsettling, darkly funny world is a kind of waking nightmare unlike anything ever previously created on film. This perverse mirror of millennium America speaks directly to our innermost fears and frustrations. Truman is not only preyed upon by a network of human and electronic spies, he is literally trapped in his own life, held down and penned in by the surreal existence in which he has been forced to spend every one of his thirty years.
Realizing that he is caught like a butterfly in a jar, Truman determines that his single aim must now be to escape Seahaven no matter what the cost. But he has not yet reckoned with the power of Christof (Ed Harris), who conceived the show and has produced, directed and supervised it throughout its entire run. Nor has he faced up to his greatest fears, which may be even more effective than the God-like Christof in keeping him a prisoner in Seahaven.
Blackly comic, yet exhilarating and ultimately inspiring, Truman's story reflects the hopes and anxieties that grip us all as the century lurches toward its close.
REVIEWS
Roger Ebert
June 5, 1998
"The Truman Show" is founded on an enormous secret that all of the studio's advertising has been determined to reveal. I didn't know the secret when I saw the film, and was able to enjoy the little doubts and wonderings that the filmmakers so carefully planted. If by some good chance you do not know the secret, read no further.
Those fortunate audience members (I trust they have all left the room?) will be able to appreciate the meticulous way director Peter Weir and writer Andrew Niccol have constructed a jigsaw plot around their central character, who doesn't suspect that he's living his entire life on live television. Yes, he lives in an improbably ideal world, but I fell for that: I assumed the movie was taking a sitcom view of life, in which neighbors greet each other over white picket fences, and Ozzie and Harriet are real people.
Actually, it's Seaside, a planned community on the Gulf Coast near Tampa. Called Seahaven in the movie, it looks like a nice place to live. Certainly Truman Burbank (Jim Carrey) doesn't know anything else. You accept the world you're given, the filmmakers suggest; more thoughtful viewers will get the buried message, which is that we accept almost everything in our lives without examining it very closely. When was the last time you reflected on how really odd a tree looks? Truman works as a sales executive at an insurance company, is happily married to Meryl (Laura Linney), and doesn't find it suspicious that she describes household products in the language of TV commercials. He is happy, in a way, but an uneasiness gnaws away at him. Something is missing, and he thinks perhaps he might find it in Fiji, where Lauren (Natascha McElhone), the only woman he really loved, allegedly has moved with her family.
Why did she leave so quickly? Perhaps because she was not a safe bet for Truman's world: The actress who played her (named Sylvia) developed real feeling and pity for Truman, and felt he should know the truth about his existence. Meryl, on the other hand, is a reliable pro (which raises the question, unanswered, of their sex life).
Truman's world is controlled by a TV producer named Christof (Ed Harris), whose control room is high in the artificial dome that provides the sky and horizon of Seahaven. He discusses his programming on talk shows, and dismisses the protests of those (including Sylvia) who believe Truman is the victim of a cruel deception. Meanwhile, the whole world watches Truman's every move, and some viewers even leave the TV on all night, as he sleeps.
The trajectory of the screenplay is more or less inevitable: Truman must gradually realize the truth of his environment, and try to escape from it. It's clever the way he's kept on his island by implanted traumas about travel and water. As the story unfolds, however, we're not simply expected to follow it: We're invited to think about the implications. About a world in which modern communications make celebrity possible, and inhuman.
Until fairly recently, the only way you could become really famous was to be royalty, or a writer, actor, preacher or politician--and even then, most people had knowledge of you only through words or printed pictures.
Television, with its insatiable hunger for material, has made celebrities into "content," devouring their lives and secrets. If you think "The Truman Show" is an exaggeration, reflect that Princess Diana lived under similar conditions from the day she became engaged to Charles.
Carrey is a surprisingly good choice to play Truman. We catch glimpses of his manic comic persona, just to make us comfortable with his presence in the character, but this is a well-planned performance; Carrey is on the right note as a guy raised to be liked and likable, who decides his life requires more risk and hardship. Like the angels in "City of Angels," he'd like to take his chances.
Ed Harris also finds the right notes as Christof, the TV svengali. He uses the technospeak by which we distance ourselves from the real meanings of our words. (If TV producers ever spoke frankly about what they were really doing, they'd come across like Bulworth.) For Harris, the demands of the show take precedence over any other values, and if you think that's an exaggeration, tell it to the TV news people who broadcast that Los Angeles suicide.
I enjoyed "The Truman Show" on its levels of comedy and drama; I liked Truman in the same way I liked Forrest Gump--because he was a good man, honest, and easy to sympathize with.
But the underlying ideas made the movie more than just entertainment. Like "Gattaca," the previous film written by Niccol, it brings into focus the new values that technology is forcing on humanity.
Because we can engineer genetics, because we can telecast real lives--of course we must, right? But are these good things to do? The irony is, the people who will finally answer that question will be the very ones produced by the process.
